New Fabric Necklaces at cambridge contemporary crafts

Hippystitch Fabric Necklaces

A whole new batch of Hippystitch fabric necklaces have now arrived at cambridge contemporary crafts (ccc) in Bene't Street, Cambridge.

Hippystitch Fabric Necklaces

It's a colourful selection so you should be able to find one that's perfect for a present or a treat for yourself.

Hippystitch Fabric Necklaces

As well as jewellery, ccc have ceramics, prints and paper, sculptures, glass, textiles and cards. Find them at 5 Bene't Street, Cambridge, CB2 3QN. Definitely worth a visit.

Annie Montgomerie - Missies and Nippers at Yorkshire Sculpture Park

Annie Montgomerie - Felby

 

Annie Montgomerie - Missies and Nippers is on at the Yorkshire Sculpture Park (YSP) until Sunday 1 November 2026.  I find Annie's work fascinating and love to inspect her individual characters.  The very life like, anthropomorphised creatures are kitted out in clothes and shoes and are usually carrying a toy which may be a smaller version of the creature holding it.  As the title suggests her characters are rooted in childhood. Their eyes are particularly startling.  I think the smaller creatures look like taxidermy with clothes on. 

Annie Montgomerie - Larfa

They are very cleverly created. We are told that the heads and faces are sculpted with plasticine and layered with fabric to achieve a stiff outer shell.  The bodies, arms and legs are constructed round wire armatures or found objects. Dressed in vintage finds, Annie's creatures have an old fashioned threadbare look.

Annie Montgomerie - Mumfs

Some were presented standing on alphabet blocks which I thought was particularly effective.

Annie Montgomerie - Willow

Annie Montgomerie - Teartear

Slowboy looked very melancholy...

Annie Montgomerie - Slowboy

There were more exotic creatures too...

Annie Montgomerie - Missies and Nippers (various)

I think you might find them like Marmite - you'll love them or hate them.  Whichever it is for you, you can't help but admire the construction and attention to detail.  Go see!

New in at The Ropewalk, Barton upon Humber

Hippystitch Fabric Necklaces

New Hippystitch stock as arrived in the Craft Gallery at The Ropewalk in Barton upon Humber. There are new fabric necklaces (see above) and a variety of domino brooches...

Hippystitch Wooden Domino Brooches

Hippystitch Large & Small Domino Brooches

not to mention some colourful button brooches...

Hippystitch Button Brooches

Why not take a trip there? It has exhibitions on in its galleries as well as its super Craft Gallery Shop. There's also The Ropewalk Museum and a coffee shop, not to mention some nice walks nearby. It's well worth a visit - go see!

Textile Workshops at Chiswick House

Prints made by participants at Neera Sehgal's workshop

 

Recently my daughter treated me to a day of workshops at Chiswick House, London.  These were part of Selvedge Magazine's London Textile Month and the artists leading the workshops were Neera Sehgal, woodblock artist & screenprinter, Tomoko Yamanaka, clothes designer & machine knitter, and Rachna Garodia, weaver.  They all have their studios at Chiswick House. 

 

Printing blocks and paints in Neera Sehgal's studio

The day started inauspiciously as our train was late and we missed our bus. Even arriving a little late, we still managed to get there in time to enjoy our first workshop which was with Neera Sehgal doing block printing. I loved Neera's business card...

Neera Sehgal's business card

Neera had lots of materials to choose from and we all had our own palettes to add our choice of paints to. We had different papers to print on and finished the session printing onto a cotton handkerchief.  It was great fun.

My block printing on paper and cotton handkerchief

Next, we then moved on to try our hand at machine knitting with Tomoko Yamanaka and could make a small neckpiece or a little bag.  Tomoko was very patient with us and helped us sort out all our mistakes - or maybe I should say she helped me sort out all my mistakes.

Tomoko Yamanaka's studio with knitting machines, sample neckpieces, Tomoko's clothing samples

I was delighted with my finished neckpiece (I wove in the ends at home and washed and pressed it)...

My finished neckpiece

Our final workshop was with Rachna Garodia doing some paper weaving. Although we were working outside, we got a chance to look round her studio which was full of interesting weavings...

Some of Rachna Garodia's work on display in her studio

Rachna had prepared lots of paper weaving pattern samples.  We could choose a pattern to try and weave...

Rachna Garodia's weaving pattern samples

We had to cut our base paper to form a warp and then chose a photo which we cut up to form the weft.  I chose a picture of peeling paint for my weft. Here are my results...

My weaving pattern and the remains of my photo that formed the warp

After the workshops, we had a bit of time to try out the cafe at Chiswick House (v. nice) and have a short walk round the grounds.  We saw a couple of weddings so you can obviously get married there too but that wasn't on our agenda.  The grounds at Chiswick House are free to look round and are open everyday from 7am till dusk.  The Kitchen Garden is open Thursday to Sunday 10.30am – 3.30pm where they sell fresh seasonal produce.  All in all it was a splendid day!

Earth Matters, Inverleith House Gallery, Royal Botanic Garden Edinburgh

Interwoven - Stevi Benson

 

Recently I took a side trip from my holiday in Fife to see the Earth Matters exhibition at Inverleith House Gallery in the Royal Botanic Garden in Edinburgh.  This exhibition is inspired by James Hutton, born 300 years ago in Edinburgh, who was a geologist, farmer and thinker and changed the way we understand the earth beneath our feet. He alerted us to the fact that the surface of the earth is continually changing as a result of natural process that take place over enormous timespans.  The exhibition showcases work by over 30 artists who are inspired by the earth and its processes.

Here's just a small flavour of the exhibition...

50 Shades of Scottish Soil - James Hutton Institute
(and they're not all grey!)

I particularly liked that the exhibition walls were painted in soil colours from different areas of Scotland, from deep red (Merkins, West Dunbartonshire) and terracotta/russett (Dundonell, Ross & Cromarty) through deep blue/grey (Clockhill, Aberdeenshire) to ochre (Lephinmore, Argyll & Bute).  The National Soils archive is held in the James Hutton Institute in Aberdeen and holds over 60,000 samples from 15,000 locations.

The Unconformities (Jedburgh, Castle St, Salisbury Crags) - Louise Bennetts

Louise Bennetts has handpainted her fabrics with soil and stitched them to represent her interpretation of John Clerk's illustrations in Hutton's book "Theory of the Earth". The pieces do indeed look like a cross-section of geological strata...

The Unconformities (Jedburgh, Castle St, Salisbury Crags) - detail - Louise Bennetts

Maria McStay has embedded and coloured her vessels with a variety of rock fragments collected from Gullane Bay, East Lothian.  She hopes the added handles suggest a shared responsibilty for the land...

Collective Futures - Maria McStay

Ilana Halperin's print uses ink coloured from soil from James Hutton's Farm in Slighhouses in the Scottish Borders...

James Hutton (Parent Material) - Ilana Halperin

In late 1990 Wilhelmina Barns-Graham visited Tentsmuir in Fife and photographed the fungi which she later painted...

Mushroom Series No 6 - Wilhelmina Barns-Graham

Constanza Dessain's fascinating work records the process of osmosis, leakage, decay and rot of fruits and vegetable scraps...

Studio Compost (detail) - Constanza Dessain

Stevi Benson's fabulous papercuts (below and top image) represent the structure of tangled mycelium (fungi) threads beneath the forest floor...

Interwoven (detail) - Stevi Benson

Kevin Andrew Morris has made a series of spade heads from clay dug from a former brickworks in Aberdeen, reflecting on past industry and past agricultural methods...

Field Work - Kevin Andrew Morris

July Fields by June Eardley captures the corner of a coastal field, probably near Catterline in Aberdeenshire where she lived in later life, showing lots of species.  Current industrial farming methods and the removal of hedgerows reduces the ecodiversity...

July Fields - Joan Eardley

This earth has been salvaged from the eroding coastline at Buckhaven in Fife where otherwise it would have been lost to the sea, echoing Hutton's assertion that the surface of the earth is continually changing.  I love the way River of Earth has been sieved and presented... 

River of Earth - Becky Little & Tom Morton

Fiona Young's prints look so real you feel you can almost touch the plants and soil. Young is trying to draw our attention to the importance of soil to both our physical and mental wellbeing.  We rely on it to grow food to keep us fit & healthy and to support the natural environments that we enjoy to be out in...

Earth Works - Fiona Young

There are several cafes in the Botanic Garden.  I tried the Gateway Cafe at the main entrance and had some excellent soup followed by coffee and cake - yum!

Coffee & Cake - Gateway Cafe
Royal Botanic Garden Edinburgh

This exhibition is on until Sunday 1 November 2026 - definitely worth a visit.  I have only shown a small part of what's being exhibited - go see!

Making Nettle Paper

My homemade nettle paper

 

Recently I've been making nettle paper with my daughter and the help of Helen Cook's pamphlet - Making Paper from Stinging Nettles.  To be honest, I got to do the fun bit.  My daughter had already picked the nettles, striped them, soaked and retted them.

Helen Cook - Making Paper from Stinging Nettles

We took the retted nettle fibre...

Retted Nettle Fibre

and with some tweakments added it to a washing up bowl of water...

Our equipment - nettle fibre, washing up bowl and water, scissors, mould and deckle

and then scooped up the nettle fibre with the mould and deckle...

Mould and deckle with nettle fibre

The soon to be paper was then tipped out onto a tea towel and sandwiched between some felt.  Then you have to apply something heavy to squeeze the water out...

Something heavy must be applied to squeeze the water out

Then the paper is left to dry... 

You have to peel off the dried paper from whatever it's drying on...

And there you have it - paper from stinging nettles.  I think we need to refine our mould and deckle technique to get a more consistent thickness of paper that covers the whole mould without any holes in the sheet of paper...  

Nettle paper of varying thicknesses

I plan to do some stitching in my nettle paper.  Watch this space...

Delcy Morelos - origo - Barbican, London

Delcy Morelos - origo

 

Delcy Morelos is a Columbian artist who makes all of her artworks by hand.  Her large installation, origo, made of soil, was outside the Barbican, London, until the end of July 2026.  

Meaning origin in latin, origo, was inspired by Andean and Amazonian traditional world views.  The material it was formed from, soil/earth, is seen as life giving and receiving, where food is grown and bodies are buried - the cycle of life.

Delcy Morelos - origo surface

It was 24m wide and took 10 tonnes of earth and clay that was applied over a month by Morelos and her team.  It consisted of a mixture of cinnamon, cloves, hay, soil and clay (and perhaps a little concrete?). It was rock hard and was applied over a wooden structure. 

Polo shaped, though more elliptical than round, part of it is like a tunnel/cave that you can walk through.  Internally it is quite dark and plant matter hangs down from the sides. Morelos calls the cave like structures within origo, profundis, and these are deemed to resemble burial sites.  Morelos sees the installation as both monumental (in scale) and humble (in terms of its materials). 

Delcy Morelos - Inside origo

It is pierced by a number of trapezoidal doorways into the structure and through it. (see first and last images) 

Origo appears suspended as though it is hovering just above ground level...

Delcy Morelos - Floating origo

The installation and the Barbican bear the traces of touch and a shared texture - origo by its handmade nature, and the Barbican with its rough concrete finish.

I got to see origo at the end of its show and would have liked to have seen it in the making too.  (And I would've liked to have tried climbing on it but that wasn't allowed).  It would have been even more impressive if it was twice the height and made entirely of soil and clay but I imagine time, resources and health & safety concerns probably precluded that.