Prism Textiles at the Art Pavilion, Mile End, London

 

Sue Burley - Nature v City (centre) & City v Nature detail (left & right)

I have recently been to see the Prism Textiles Group Edgelands Exhibition at the Art Pavilion, Mile End Park, London, E3 4QY which was wonderful.  Prism are an international group of textile artists who push the boundaries of textile art and promote its visibility.  They  exhibit annually at this lovely venue and it is genuinely a highlight of the textile art year and this year was no exception.  Prism members also run a variety of free workshops during the exhibition which are also well worth attending.  Edgelands is on until 29 April 2024 - a definite must see!

Maria Wigley - Linguistic Entropy

The artists exhibiting were responding to the theme "Edgelands" and a huge variety of textile and mixed media techniques were in evidence. There were 59 contributing artists.  In this blogpost, I am showing just a dozen of my highlights which are only a small fraction of the fabulous work on display. 

Lynne Chapman - Buried Treasure (back detail, front, front detail)

Jacqueline Adkins - Bridge I & II

Judith Isaac Lewis - Nature Pages

Amanda Hislop - Out of sight, farmland fragments found

Aran Illingworth - Heron

Hayley Mills Styles - LS6 detail

Anne Amosford - Once were Sheep

Kim McCormack - The Wet Desert

Ross Belton - Laid Bare: The Ages of Man

Wolfgang Woerner - Distance loses all rational meaning

Whilst I was visiting Wolfgang Woerner was leading a workshop which I attended. Everyone was given a padded shape and encouraged to explore blanket stitch in its many variations e.g. density, size, direction, form and to share their results.  It was a very amusing, enjoyable and relaxing session.  Thank you, Wolfgang! Here are the results...  

  

Wolfgang Woerner Workshop

You can read the directions for a step free route to the Art Pavilion from Mile End Underground station here.  It's a great exhibition - do go if you can!  You can download the exhibition catalogue here to find out more about the artists and their work. It's on until 5pm on Monday 29 April 2024.

Magdalena Abakanowicz at Tate Modern, London

Magdalena Abakanowicz - Abakan January-February

This exhibition - Every Tangle of Thread and Rope - is definitely not to be missed.  If you can get there - GO!  Magdalena Abakanowicz (1930-2017) was a Polish artist, most well known for her monumental woven structures of the 1960s and 1970s known as Abakans, which were named after her.   

Magdalena Abakanowicz - Design for Tapisserie 21 Brune

She studied painting and weaving at the Academy of Fine Arts in Warsaw, graduating in 1954.  At this time the Soviet regime was becoming more liberal and there were funding opportunities for craft and folk art through the state sponsored Association of Polish Artists which she took advantage of.  Artists designed items that were then produced by artisans.

Magdalena Abakanowicz - Tapisserie 21 Brune
(Woven by Maria Lydzba)

She lived in a studio apartment in Warsaw with her husband where creating artworks that could be folded up was a distinct advantage.  Her style of weaving was improvisatory.

Magdalena Abakanowicz - Abakan Orange (1968)

She saw a strong connection between her work and the natural world, seeing fibre as the basic element making up the organic world.  She said "It is from fibre that all living organisms are built, the tissue of plants, leaves and ourselves... our nerves, our genetic code, the canals of out veins, our muscles...We are fibrous structures."

Magdalena Abakanowicz - Abakan Red

Her weavings use sisal and sometimes wool, horsehair and rope and move from the rectangular to the more organic 3D free-hanging Abakans. Referring to her installations as "environments" Abakanowicz was interested on the immersive and performative possibilities of her arrangements in particular spaces and liked to light them dramatically.

Magdalena Abakanowicz - Abakan Yellow

Magdalena Abakanowicz - Abakan Orange (1971)

Magdalena Abakanowicz - Abakan Orange (1971) detail

Some of her works bring to mind garments and others body parts with elements spilling out of them.  I think her Abakan January-February (see first image) looks like a pair of lungs.

Magdalena Abakanowicz - Situation Variable 2

Abakanowicz's work brought to mind that of Sheila Hicks who was also making remarkable textile art in the same period and upto the present. (You can read more about Hick's exhibition "Off Grid" at The Hepworth, Wakefield in 2022 here). 

Magdalena Abakanowicz - Embryology 

In the 1980s Abakanowicz began to move away from the exclusive use of fibres and never liked being referred to as a fibre artist.  

Magdalena Abakanowicz - Anasta

To my mind her Abakans are her triumph which are completely spellbinding.  It's a marvellous exhibition - on until 21 May 2023.